Wednesday, 15 February 2017
I was talking to my second daughter (she's a quaternary scientist you know) about the fact that we are currently 10,000 years into an interglacial - a pause between ice ages - after the last 100,000 year ice age came to an end.
I had heard that apparently the flood story is not unique to judeo-christianity. While not going as far as an idea of Noah and his Ark, other faiths and peoples have similar accounts of a global flooding disaster. Arguably this common thread came from the melting of arctic ice sheets as far south as Ireland and consequent rises in sea-levels that submerged settlements ranging from Doggerland in the North Sea to the shores of a much reduced Black Sea. It would not then be so surprising that the flood myth passed into oral histories across the world.
In Paternus, Dyrk Ashton draws a similar thread of connectivity and common cause on which he strings the beads of every world myth I have ever heard of and roots them in a common foundation. The wide ranging source material is drawn together from places spread across the entire globe and times delving billions of years into the Earth's past to deliver a crescendo of a story condensed into a bare 24 hours of pretty constant action.
The many threads make for a complex tale. As with Keifer Sutherland's 24 TV show, the reader follows stories playing out in parallel in scattered locations. Layers of myth and faction unfold in terse action sequences delivered in the present tense through inevitably multiple points of view. The supreme deity within this diverse pantheon borrows shamelessly from Greek Zeus and Norse Odin's proclivities and weaknesses. Though borrows is perhaps an unfair term - embodies/personifies/unites might all do more justice to the fascinating "melange a beaucoup" that Ashton has created.
At times I thought Ashton must have augmented the well known but well disguised characters from myth with creations of his own invention, all spawned from the same central premise that explains and celebrates the diversity of ancient mythology. However, every time I tried googling one of Ashton's ancient truenames, the search threw up a genuine mythic anticedent.
There is a romantic core to the story - which is where it opens. A young couple dancing uncertainly around their strong but unexpressed mutual attraction. At those points the story felt a little bit clunky. But whatever thoughts the two might harbour for each other, they are soon swept aside by the tide of times as powerful opposing forces face off and suit up for the latest instalment in a long running and potentially world-ending conflict.
The action really hots up about a quarter of the way into the book and once it gets started it just doesn't seem to stop, as Ashton's battles rage from location to location like a James Bond movie.
All in all, an enjoyable, rip-roaring tour de force through every pantheon you could imagine.